![]() “The records she has probably listened to more than any other music in her entire life. Vincent’s forthcoming new album Daddy’s Home aren’t shy about explicitly laying out her ’70s influence and tracing it back to her father: “She began writing the songs that would become Daddy’s Home, closing the loop on a journey that began with his incarceration in 2010, and ultimately led her back to the vinyl her dad had introduced her to during her childhood,” they read. (Mars wears his throwback influences on his sleeve more than the others, but when it comes down to it, he’s still ultimately a contemporary pop artist.) They’ve got the ’70s looks and sounds down pat, but it’s done with the understanding that this is just a phase, that they’re in on the joke, championing the decade’s kitsch with a wink, and they’ll be on to the next thing on the next album cycle. They make music that sounds exactly like Led Zeppelin and demand very little other than forgetting how good Led Zeppelin often were.” Greta Van Fleet exist to be swallowed into the algorithm’s churn and rack up plays, of which they already have hundreds of millions. Larson wrote, “They are a new kind of vampiric band who’s there to catch the runoff of original classic rock using streaming services’ data-driven business model. ![]() (Note: naming your album The Battle at Garden’s Gate is not the best way to convince detractors that you’re not ripping off Led Zeppelin.) In his 2018 review of their album Anthem of the Peaceful Army (which he generously gave a 1.6), Pitchfork’s Jeremy D. Greta Van Fleet, whose new album The Battle at Garden’s Gate is out next week, have had to deal with plenty of criticism throughout their young career over the fact that they’re essentially aping ’70s icons Led Zeppelin. There’s also the fact that we live in dark, uncertain times, and the anxiety that seeped its way into the art produced during the decade of Watergate, Ted Bundy, the energy crisis and a general post-’60s disillusionment certainly feels relatable at a time when we’re dealing with a pandemic and still reeling from four years of political scandals and deep division.īut ’70s revivalism isn’t unique to 2021. Why, then, is this particular decade suddenly back in a big way? But what’s the deal? We live in an age when we’ve got hundreds of years of pop culture at our fingertips we can consume it with more variety than ever, picking and choosing influences as we see fit along the way. Vincent, they’ve also extended the ’70s aesthetics to their official music video for the track.) Their forthcoming LP (which doesn’t yet have an official release date) also features funk legend Bootsy Collins. Their single “Leave the Door Open” is an infectious Motown-inspired slow jam that you could easily imagine fitting into the catalogs of Marvin Gaye or Off the Wall-era Michael Jackson. Paak recently debuted their group Silk Sonic at the Grammys, complete with matching leisure suits and gold chains, Temptations-style choreography and period-specific split-screen shots. Vincent isn’t the only artist who seems to be leaning hard into the ’70s vibes lately. why this /FlwZO9VrqN - silica gel "do not eat" throw away dessicant April 5, 2021īut St. ![]() And her SNL performances featured all the costumes and tropes you might expect from someone looking to emulate the era: a Candy Darling-inspired blonde haircut, bell-bottoms, big lapels, a trio of backup singers performing synchronized choreography, a jacket with the word “Daddy” embroidered on the back in a retro font. Her recent music video for single “The Melting of the Sun” features some trippy ’70s-style animation that’s instantly recognizable to anyone who’s ever seen the opening sequence from Grease or an episode of School House Rock. But it was clear on her recent performance on Saturday Night Live that this time around, she’s looking to the past, back to the era when the long-running sketch comedy show was brand-new. ![]() Vincent has done her damnedest to seem like some alien creature from the future - rocking silver hair and lots of neon colors, geometric shapes and robotic on-stage movements. On previous album cycles, the artist best known as St. You don’t need to be a music historian to notice that Annie Clark has been embracing a new aesthetic lately. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |